Tracer, The Northern Echo, Mark Tallentine, April 2013
Tracer, Chronicle Live, Helen Dalby-NEC, April 2013
Tracer, BBC News, April 2013
Tracer, Victoria Williams, The Chronicle, April 2013
Tracer, The Times, 2013
Tracer, The Guardian, April 2013
Great North Free-Runner, Victoria Williams, The Journal, April 2013
‘Just One Kiss, Then Another’, Farid Azfar, Harverford University Website, Mar 2011
Do You See Me?, Le Feuvre, Lisa, Gallery m, Exhibition Catalogue, 2010
‘Photography & Performance’, Alice Durant, Mark, Aperture, Issue 199 – Summer 2010
‘Melanie Manchot: Celebration’, Balhetchet, Sophie, HotShoe, Feb 2010
‘The Street’ Exhibition, Lack, Jessica, The Guide, January 2009
‘Melanie Manchot’, Thorpe, David, New Forest Pavillion Catalogue: 52nd International Venice Biennale, 2007
‘The Magic Number’, Clement, Tracey, The Metro, May 2007
‘Mysterious Skin’, Art Review, Jonathon T.D. Neil, Feb 2007
‘Photography as a Space for Human Freedom’ (German), Blomberg, Katja, Moscow Girls, 2006
‘Photography as a Space for Human Freedom’ (English), Blomberg, Katja, Moscow Girls, 2006
‘An Elongated Moment: A Conversation Between Melanie Manchot and John Slyce’, Slyce, John, Moscow Girls, 2006
‘Security’ + ‘The Art Profile: Melanie Manchot’, Kent, Sarah, Time Out April 2006
‘Security: Melanie Manchot’, Peitz, Dirk, EMA Festival Osnabruck Catalogue Text, 2006
‘Public Intimacy: An Interview With German Photographer Melanie Manchot’, Rossant, Cecile, ExBerliner, Dec 2005
‘London: Photographer’s Gallery – Melanie Manchot’, Williams, Eliza, Contemporary No 73, 2005
‘London’, Dyer, Richard, Contemporary No 70, 2005
Groups and Locations: The Photographer’s Gallery, O’Reilly, Sally, Time Out, Feb 2005
‘Face of the Crowd’, Pitman, Joanna, The Times, January 2005
‘Russian Evolution’, O’Hagan, Sean, The Observer, Jan 2005
‘Whose Life Is It Anyway?’, Januszczak, Waldemar, Sunday Times, Nov 14th 2004
The Fontainebleau Series, Protec, Vol 33 No.1
‘Melanie Manchot’, Lack, Jessica, ID 254
Gestures of Demarcation, Cotton, Charlotte, The Photograph As Contemporary Art, 2004
‘Melanie Manchot: A Gestural Politics of the Real’, Lowry Joanna, Portfolio 35, 2002
‘Intimate Gestures: Proximity as a Deformation of Genre’, Hand, Janet, Love is a Stranger, 2001
‘Melanie Manchot and The Photographic Image’, Honnef, Klaus, Love is a Stranger, 2001
‘Melanie and her Mother’, Hopkinson, Amanda, Portfolio 29, 1999
Liminal Portraits, Vile Bodies, Townsend, Chris, Prestel, 1998
‘Beyond Paradise’, Blomberg, Katja, Look At You Loving Me, 1998
‘Melanie Manchot’, Williams, Val, Look At You Loving Me, 1998
Tracer, The Times, 2013
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